Starting from this tonic, the major scale is built up by a sequence of eight notes with a certain hierarchical structure. The Major key is formed from a note called the tonic. I think kids are used enough to hearing it in pop music it won't confuse them.Every scale in our tonal system, in this case the major scale or Ionic mode, consists of two elements: tonality on the one hand and modality on the other. If I were you, I would have transposed it into Gb.Īnyway, if those options don't work, you can always just use a "go" modulation. I think you want a clearer sound than the seventh quality gives.) You start the scale on an upbeat, and descend majestically to the E, changing chords every two steps. (C7 would also work, but it might be almost too directive. Could you go between V and I twice, then do V^7 of iii, for a surprise? (Actually, that could genuinely modulate you to g minor.) A simple scale with "A natural" in it would work if you landed on E. What if you somehow tonicised iii in Eb (that's ii in F). One of my favourite cop-outs is to go octatonic, but if you do that, you'll confuse your audience with all the inherent tri-tones. If you're going to use pivot chords, I suggest you use a long transitory period, because you'll need to hammer home that you've changed keys in fact. Okay, so you need to modulate up a whole-tone, and you don't want to confuse the kids.
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